← Table of Contents Chapter 95 · 10 min read

Chapter 95: An Answer Owed

CHRONICLER SET DOWN his pen.

He did it carefully, as a physicker sets down his knife after a long night’s work, or a soldier his weapon after a long watch.

The pen rested on the table beside the manuscript: hundreds of pages, thousands of words, three days of confession set down in his careful hand, with his careful notes in the margins and his careful headings marking where in the story each thing fell.

It was, he knew, the most important thing he would ever write, because this was the story of the man who broke the world, told by the man himself.

He believed most of it, and that was the trouble.

He had watched a thing walk into this room wearing a man and go out of him screaming, and at midnight he had sat across a table from what Bast was when the glamour came down. Whatever he carried out of this inn, it would not be doubt about whether such things could happen. The night had settled that for him, thoroughly and without asking his leave.

What he could not do was check it. The heart of it, the love and the loss and the long fall from brilliance into ruin, he could vouch for as a listener. The rest, every scholar in the Commonwealth would pull at, loudly, in the first week anyone read it. He could not tell them who had died in the King’s hall, or how, or who else had seen it. Above all he could not tell them whether a woman had truly gone into the seal between worlds and was holding it still, because the only man alive who claimed to know was the man who had loved her.

The story had carried him as a river carries a leaf, and he had written and written and written, his pen moving faster than his judgment.

The doubts had been there longer than he wanted to admit, since the night before at least, since he had underlined the count of days on the ride south and written check in the margin and then gone on writing anyway. It was a hairline crack he had chosen not to look at.

Now, in the cold light of morning, with the pen set down and the ink drying, the crack split wide open.


“I need to ask you something,” Chronicler said.

Kote was behind the bar, where he always was. The polished wood was his raft, the common room his ocean.

He looked up. His eyes were tired but present, more present than they had been in days. The night had stripped some layer off him and left something rawer and more awake underneath.

“Ask,” he said simply.

Chronicler took a breath. He had known from the first day that the question would have to be asked, and he had put it off because he was afraid of the answer.

“How much of it can I prove?”

Kote’s hands went quiet on the bar. His face stayed as it was, though something behind it shifted, as if furniture were being moved in a room behind a closed door.

“That’s a large question,” he said mildly.

“It’s the only question.” Chronicler’s voice was steady and businesslike, the voice of a man who has decided that politeness has run its course, and that the time has come to do the job he was trained for. “I’ve spent three days writing down your story. I’ve filled hundreds of pages. And I need to know, before I walk out of this inn with that manuscript in my satchel, what I’m carrying. Is it history? Is it memoir? Is it—”

“Fiction?”

He offered the word like a card turned face-up.

“I didn’t say that.”

“But you’re thinking it.” Kote’s eyes held Chronicler’s. “You’re a professional skeptic, Chronicler. You’ve been restraining yourself for three days, and now the restraint has broken. Good. I’d be disappointed if it hadn’t.”

He traced a finger along the bar’s grain.

“Ask the real question,” Kote said.

“I already asked the real question.”

“No. The real question isn’t whether the story is true. The real question is whether I’m true. Whether the man standing in front of you is who he claims to be, or just a clever liar with red hair and a good imagination.”


Chronicler was quiet for a moment.

He had interviewed liars before, dozens of them: helpless liars, careful liars, honest liars who believed their own inventions so completely that no test would catch them out. Over the years he had learned to know the tells, the small weathers that cross a face before the words arrive, the little places where a made-up story does not sit flush against the world.

Kote had no tells. None that Chronicler could find. The feeling underneath the story, the pain and the humor and the regret, came too deep and too quick to be counterfeit across the whole of the telling.

Still, Chronicler’s job was not to be impressed. His job was to find out what was true.

“All right,” Chronicler said. “The real question. Are you Kvothe?”

“I am the man who was called Kvothe. I am the man who calls himself Kote. Whether those are the same person is a question I haven’t been able to answer for years.”

“That’s evasion.”

“No. It’s precision.” Kote set down the cloth. “You want yes or no. Scholars always do.” A pause. “Lives don’t work that way.”

“Try,” Chronicler said patiently. “For my sake.”

Kote considered this. His gaze turned inward, and he had the look of a man walking the aisles of a vast and well-kept library, hunting one particular book.

“I told you the story I remember,” he said. “Whether that’s the same animal as the truth, I’ll leave to the philosophers. The scars, at least, don’t lie.”

He held up his left hand and let Chronicler watch it tremble.

“This hand called the wind. I remember it.” He lowered his hand. “The heart of it, the love, the loss, the choices that led me here, that is true.”

“How can you be sure?”

“Because it’s all around you.” Kote gestured at the room. “The chest that holds what I locked away. The silence in my voice, and the fact that a man named Kvothe disappeared from the world and a man named Kote appeared in a forgotten inn.” His voice was quiet and certain. “Perhaps I’ve misremembered conversations. Perhaps the order of things is not exactly right. But the disasters are real. And Bast?” He glanced at the Fae prince in his corner. “My student, who by rights shouldn’t exist. Draw your own conclusions.”


Bast spoke from his corner.

He had been listening with more than his ears, with something underneath hearing that went past the words to the truth behind them, and past the truth to the wanting behind it. His face was calm. Only his eyes gave him away, too sharp, flicking between Kote and Chronicler with the quick sideways movements of a creature watching two larger things circle each other.

“The story is true,” Bast said flatly. “I was there for parts of it. What I saw with my own eyes, that happened.”

“You were there for how much of it?” Chronicler asked.

“The last two years. The Waystone years.” Bast chose his words carefully. “I didn’t know Reshi at the University. I didn’t see the things he tells of from his boyhood. But the man I found in this inn was still, underneath, everything the story says he was. Brilliant. Reckless. Capable of things that shouldn’t have been possible.”

Bast pressed his hands flat against his knees. “I heard him try to call the wind once, my first spring here, out in the yard at night when he thought no one was listening. A sound, low and certain, and nothing answered it. He stood there quietly a long while afterward, like a man at a graveside. You don’t forget a thing like that.”

“That’s not evidence. That’s faith.”

“In the Fae,” Bast said, “there is no difference.”

Chronicler turned back to Kote. “I don’t need persuading that there are things in the dark. Last night did that for me. What I need now is the particulars. How many days it was from Severen to Renere. Who died in that hall, and how, and who else saw it. What Simmon died of, and where he lies.” He said the last part as gently as he could. “And that she became the seal. Those are things that happened to other people, and for those I need—”

“Witnesses. Yes. I know.” Kote’s smile was thin and tired. “And I can’t give you a single one from behind this bar. All I have is the story itself, how tightly it holds together, how the details fit into a pattern too tangled for anyone to have made up.”

“People invent complex things all the time.”

“They do. And I might be one of them.” Kote met Chronicler’s eyes. “I might be a delusional man who has constructed an elaborate fantasy to explain his own failure. A man whose guilt was more than he could carry, so he built a mythology around it, secret orders and ancient evils and doors at the end of the world, to make his pain mean something rather than be merely pitiful.”

“Do you believe that?” Chronicler asked.

“I believe it’s possible.” A pause. “And I believe it doesn’t matter.”

“It doesn’t matter whether your story is true?”

“It matters to you. It should matter to you, you’re a historian, and history requires accuracy. But to me?” Kote shook his head slowly. “The story is what I have. It’s the only account of my life I can get at. I can only tell you what I remember. What I carry. What I can’t put down.”


Chronicler was quiet for a long time.

He looked at his manuscript, at the pages that held, depending on how you looked at them, either the most important historical document of the age or the ramblings of a broken man. He thought about the taverns, where men would tell the stories again and make them better in the telling, laying legend over an account that might already be more legend than fact.

“The emotions,” Chronicler said. “The things you felt. Denna. Your parents. The music. The losses. Were those real?”

Something in Kote’s face softened.

“Yes,” he said. “The emotions were real.”

“All of them?”

“Every one.” He spoke barely above a whisper, and his ruined throat had nothing to do with it. “The love and the grief, the pride and the shame and the terror and the joy. What moved through me was true, and it is true still.”

He looked at his hands.

“Denna was real,” he said. “I don’t mean she walked the world, though she did. I mean how I loved her was real, and how she changed me, and how losing her broke something in me that hasn’t healed. That is the most certain thing I know about my own life.”

“True for you,” Chronicler said quietly. “It won’t tell me what happened to Simmon.”

Kote was silent for a while.

“No,” he said at last. “Wil can tell you that. Fela held him while he died.”

Chronicler picked up his pen, though not to write with. He only held it, loosely, and turned it once in his fingers, as though testing its balance.

“And your doubts?” Kote asked.

“In the margins,” Chronicler said, “with the page beside each one.” He set the pen down, stood, and crossed to the bar.

He reached across the bar and took Kote’s hand, the left one, the damaged one, the one whose tremor had crept back since dawn, fainter than before, and turned it palm up.

The scars were bad. Chronicler traced them with one finger: the burn on the heel of the palm, puckered and white; the thin line across the base of the thumb where something sharp had cut clear to the bone; the cluster of small round marks on the inner wrist that could only be burns, each one neat and deliberate, set there with the care of someone who knew exactly what he was doing.

“These prove you were hurt,” Chronicler said. “They don’t prove how. I’ll put that down as well.”

He released Kote’s hand gently.

“This is what I’ll do,” he said. “What I saw myself goes down as seen: that thing last night, and the man it left behind, and anything else I see before I walk out of that door. What you told me goes down as yours, in your own words. Then I go and find Wilem, and Fela, and Devi, and I ask them, and what they’ll swear to goes in beside what you said. Where they tell it differently, I print both. Every place I’ve marked check gets printed plainly as an open question.” He hesitated. “And the one thing none of them can swear to, that she went into the seal and holds it still, I’ll set down as you believe it, and say that’s what it is.”

“They may not want to be found,” Kote said.

“Then I’ll print that too,” Chronicler said evenly.

He paused. The doubt was still there. He suspected it always would be.

“That’s the best I can offer.”


Kote nodded slowly, with the grave finality of a man accepting a verdict.

“It’s enough,” he said.

And for a moment, just a moment, something passed across his face that was neither the innkeeper’s patience nor the legend’s fire, as if a third man had looked out and gone.

The morning light had strengthened while they spoke. It came through the gaps in the shutters in thin bright lines, laying stripes across the floor, the tables, the manuscript pages. The fire was nearly out, just embers now, glowing dully in the hearth.

Bast stood and moved to open the shutters. The daylight flooded in, warm and ordinary, and the common room of the Waystone was, in daylight, just a room: stone walls, wooden tables, a bar, bottles, the plain furniture of a plain business in a plain town. When the light was in, Bast knelt at the hearth and patiently built the fire back up.

The silence, though, was different.

It had thinned like morning mist under a strengthening sun, though it was too deep and too old to vanish in a night. There was air in the room that had not been there before, and space enough to breathe in.

Chronicler picked up his pen and looked at the blank pages that were left.

“Shall we finish?” he asked.

Kote looked at the light coming through the windows. At the ordinary, impossible morning.

“Yes,” he said. “Let’s finish.”

This is unofficial fan fiction, not affiliated with Patrick Rothfuss or DAW Books. The Kingkiller Chronicle and all related characters are the property of their respective owners.