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Chapter 88: A Man Waiting to Die

CARTER BROUGHT THE news.

He came through the door one evening in my first autumn at the Waystone, with mud on his boots and something wrong with his eyes, and it was not the usual wrong.

“Evening, Carter.”

He sat at the bar without ordering, and I poured him an ale.

“There’s talk in Baedn of something dead on a road past Melcombe,” he said. “A drover saw it, black and big as a dog. Legs like…” He made a gesture with his hands, too many fingers, too many joints. “Legs like a spider, but wrong.”

I set down the glass I’d been holding.

“How many legs?”

“Too many, the drover said. And sharp as knives, Kote.”

“Was it alive when he found it?”

“Dead. Smashed. A farmer out there hit it with a fence rail, six or seven blows. The drover swore it was still twitching after, like it didn’t know it was dead.”

Scrael.

The word came up out of somewhere deep. The old texts called them scrael, things out of the spaces before the doors were made. The leak I had described to Wil by a fire in Vintas was showing itself on roads with names I knew.

Now one was lying dead in a ditch past Melcombe, and nobody in Newarre had seen it but in a drover’s telling.

“Just an animal,” I said. “Some kind of spider. They grow large in the Eld.”

Carter did not look entirely convinced. But practical men take the answer that lets them sleep at night.

He finished his drink and left.

Something stirred that had not stirred since Renere. Kote’s fear was a mild and domestic thing, the fear of burned bread and broken glasses. This was older, the fear of a man who knew exactly what a dead scrael on a country road meant.


The following summer a tinker came through with one in a sack, from somewhere east of the mountains, meaning to show it for pennies. I paid him more to show it to no one but me, and he tipped it out onto the ground in the kitchen yard.

Dead, like the drover’s, folded in on itself in the sacking.

Too many legs, each tapering to a thorn-sharp point. The body was a dull black teardrop, smooth and blank where a head should have been, with no eyes and no mouth, nothing but dark shell. It looked paused rather than dead, as if death were something it was only doing for the moment.

I crouched beside it. The smell was wrong, nothing like decay, cold and sharp and faintly metallic, the smell of the air just before lightning strikes.

The chitin was cold under my fingers, colder than dead things are, cold as stone in deep winter.

The legs twitched.

I was on my feet and three paces back before I had decided to move. My hands were up in a gesture that was half defense and half something older, the reach for a power I no longer had.

The legs twitched again, then stopped.

The doors were opening. Slowly, though, and not in the ruinous way Cinder had wanted: a crack here, a split there, small openings that small things could slip through.

I paid him again to burn it, and watched him do it, and told myself the mountains would hold the rest, as if that settled it, and went back inside and said nothing to anyone about what I’d seen.


More reports came. A peddler came through with news from the north: three villages along the Eld abandoned overnight, no bodies and no sign of a fight, nothing but empty houses with the doors standing open and food still on the tables. He carried an iron rod strapped across his back. “Heard they don’t like iron,” he said. “Might be an old wives’ tale. Might not.”

He was right about the iron. But a single rod against what was coming was a candle held up against a flood.


It was night again.

That’s how it begins, doesn’t it? How all the stories begin, and end, and begin again. Night, and the Waystone Inn, and the silence that lives there. The silence of three parts that I’d built around myself, board by board, nail by nail, until it was a coffin.

Night. The inn. The silence.

And a man behind a bar, waiting.


Two winters, and the second colder than the first, or perhaps I was simply less able to feel the warmth. The first winter I kept the fire blazing day and night, feeding it logs with the fixed attention of a man tending the one thing he can still manage. By the second I let it burn low, and some mornings I forgot to light it at all, and Bast would come downstairs to find me standing behind a cold bar in a cold room, polishing a glass that was already clean. Out front, the sign faded from silver to a grey that was nearly white.

Autumn was the worst, the smell of turned earth and woodsmoke and the slant of the afternoon light through the windows, coming in as it had once come through the windows of a wagon, long ago, when my mother sang while my father tuned his lute. The other seasons I eventually stopped noticing. They happened around me like weather on a stone.


Each morning I woke and didn’t know who I was. Then the name came down over me, heavy as a shroud. Kote. I got up and dressed and went downstairs and lit the fire. And I began.

“Good morning, Reshi,” Bast said, as he always said, coming down the stairs with that inhuman grace he’d long since stopped bothering to disguise.

“Good morning, Bast.”

“Sleep well?”

“Well enough.”

We kept up the same exchange every morning, as the devout keep up their prayers, because to say aloud what was happening to the world outside those stone walls would have ended something, and it was not the pretense I was afraid of losing.


The thrice-locked chest sat upstairs, its copper inlays gone green with neglect. It had become furniture, and some days I almost believed it.

Some nights, when the room was empty, I took a small dark thing from its place under the bar and held it carefully until it warmed in my hand. I was deciding something for someone who had not asked me to, and every time I decided it the same way, and quietly put it back.


The world outside went on falling apart, and I knew it only at a distance, as one knows of a famine in a country one will never visit.

Elsewhere the scrael were more common now. Reports from other towns came every few weeks, then every few days: dark things on the roads, livestock killed, people gone missing. A tinker told me they’d found a nest near Tarbean, thirty or forty of them, black and clicking, in the cellar of an abandoned tannery, and that the militia had burned the building and three houses besides and still not all of them died.

The Penitent King’s war had eaten the map, and since Renere it had a murdered king to answer for, which let it call itself justice and send tribunals down the roads. Taxes tripled, and the recruiters went through the villages with the king’s coin, a silver noble to sign and then a whole gold royal, taking the young and giving back nothing.

Newarre told itself it was still safe, for now. Being nowhere in particular was its armor, the same armor I had chosen it for.


Bast tried, in his way. Books left where I would find them, travelers steered to the inn, small kindnesses aimed at whatever was left underneath the name.

“You’re letting it take you,” he told me once. “Not your body. The rest of you.”

“Then I’ll die quietly,” I said.

He stared at me with wet eyes. “That was never the plan,” he said thickly. “Not my plan.”


Night. The Waystone. The silence of three parts, familiar as breathing, heavy as stone.

The flame was guttering.


Fewer people came to the inn these days, and the regulars had thinned. Old Cob still came, and Graham, and Aaron.

Aaron had appeared in the second year, a smith’s apprentice with broad hands and an honest face, a boy who believed the world was roughly fair and that hard work would earn its reward. He came in the early mornings, before the smithy opened, and did the work nobody had asked him to do, as though it had always been his: water from the well in the kitchen yard, wood for the fire, the common room swept. I never properly hired him. I started leaving a few coins on the bar for him at the end of each span, and he took them shyly, without a word, and that was the whole of the arrangement. He reminded me of Simmon, though not in any way I could point to. They looked nothing alike, spoke nothing alike, came out of different worlds. But there was the same earnestness in him, the same willingness to trust, the same light behind the eyes that has not yet learned how easily it can be put out.

In the evenings I served him drinks and listened to his stories about horses and girls and the forgemaster’s temper. I did not tell him anything true. The distance between us was the distance between the man I had been and the man he still was, and I kept that distance as carefully as I could, because the other choice was to care about someone again. I failed at the keeping. I taught him to make change. In company I called him boy, as the whole town did, and mostly he let me.

He worked at the smithy when there was work, and he was at my bar on the Felling night, not a span before you came, when Carter walked in with his face smeared with blood and a scraeling wrapped in a saddle blanket, killed two miles out past the Oldstone Bridge, and from behind that same bar I named the thing for six frightened men, and then lied to them about how I knew.

Some nights I served no one at all, and arranged the glasses, and waited for customers who never arrived. The roads were dangerous after dark now, and even the bravest men found reasons to stay home.

Once a family came through, refugees heading north, a man and a woman and two children with the hollow eyes of people who have learned not to ask for things. The man asked all the same: he wanted to be past the stretch where the north road runs along the Eld before morning, and he asked me, very quietly so that the children would not hear, whether I would walk them that far tonight with a lantern. I told him no, and said the road was safer by daylight, which was true, and that I had an inn to keep, which was only the reason I gave myself. Then I fed them and did not charge them. The woman tried to pay anyway, pressing a coin into my hand with fingers that trembled.

“Keep it,” I said. “You’ll need it more than I will.”

She looked at me. Really looked, as people seldom did anymore. For a moment something flickered in her expression, recognition, maybe, or the shadow of it. Then it passed, and she was just a tired woman in a strange inn, and I was just the innkeeper, and neither of us said another word about it.


The night outside was black.

It was old dark, the dark that was there before fire, before the first word was ever spoken to push the shadows back.

It pressed against the windows of the Waystone like something alive and patient, something that was waiting, as I was waiting, for whatever came next.

Somewhere out there a dog began to bark, sharp and frantic, cutting through the dark. Then it stopped, suddenly and completely, and the silence that followed was worse than the barking had been. A silence with teeth.

I didn’t go to the window. A year ago I might have. Two years ago I would have gone outside. Three years ago, the man I used to be would have been halfway down the road before the dog stopped.

The fire had burned low, and I hadn’t bothered to feed it. The coals gave off a faint, sullen heat that did nothing to warm the room.

My hands rested on the bar, still and flat, like two things that had been set down and forgotten.

Bast was upstairs. I could hear him pacing restlessly, and he was always planning something.

I didn’t wonder what he was planning.

I didn’t care.

That’s not right. I didn’t allow myself to care. Which is a different thing, and perhaps a harder thing.

The candle on the bar guttered. The flame bent sideways in some unfelt draft, leaning as if it were reaching toward something that wasn’t there.

The flame steadied.

Something in my chest, deep, very deep, in a place I’d thought was empty, moved.

Like a crack in stone that will, in time and with enough patience, become a split, and then a break, and then a door.

I ignored it.

I was practiced at ignoring things.


But.

There is always a but.

Bast’s footsteps stopped. There was a pause at the top of the stairs. His stillness was a different sort from mine, for a living thing’s quiet is nothing at all like a dead thing’s.

He was waiting too, but he was waiting for something, waiting with purpose and with the fierce, stubborn hope the Fae carry in their blood as men carry iron.

Somewhere, on a road I could not see, a man with a leather satchel was walking, a man with an iron-bound book and a trained ear and the courage that comes of believing stories matter.

He was coming here, though he would not reach the door on his own.

No accident had sent him. He was coming by the careful, patient, desperate design of a creature who had spent a year and more setting it in motion, a rumour fed quietly to tinkers and carters road by road until it reached a scribe who collected true stories. And the road under his feet had things on it now, after dark, that his book had no names for.

Chronicler was coming to the Waystone.

When he had woken there and been fed, bruised and not yet sure how he had come to be alive, he would sit at the bar and ask a simple question.

Tell me your story.

The man behind the bar, the man who had been waiting, the man who had tried to become nothing and kept failing at small kindnesses, who had spoken nothing’s name and worn it so long that even his own reflection was a stranger:

He would answer.

Because even a cut flower, dying in its vase, separated from its roots, fading hour by hour, still turns toward the light.


The night deepened, and the quiet held.

Somewhere beneath it, in the space where Kvothe used to live and Kote now kept house, a door that had been closed for a very long time began, slowly, almost imperceptibly, to open.

Tomorrow night a man would come through the door of the Waystone Inn who could not have reached it by himself, and the story would begin again. Or end. Or both. In stories, as in silence, it was often hard to tell the difference.

But that was tomorrow.

Tonight there was just this: the inn, the dark, the quiet.

A man behind a bar.

A cloth in his hands.

The patient, cut-flower sound of a man who is waiting to die.

This is unofficial fan fiction, not affiliated with Patrick Rothfuss or DAW Books. The Kingkiller Chronicle and all related characters are the property of their respective owners.