← Table of Contents Chapter 77 · 15 min read

Chapter 77: The Edge of Vengeance

HE CAME ON the third night after the barrow.

We had made camp in a hollow between two granite ridges. Wil had built the fire, small and tidy, a hill-country fire that wasted nothing. Auri had found water in a spring between two stones, and said it was clean because its name was honest.

I was sitting with my back against stone, Caesura across my knees, when the air went cold.

It did not come on gradually; it arrived all at once, the cold of deep wells and old iron, the cold of a place the sun has never touched. I had felt it before, every time, and every time it had meant the same thing.

The fire did not gutter. It simply died, as if the flame had forgotten what it was, and the coals stayed and painted everything a low red, the last light before the end of the world.

“He’s here,” Auri whispered. She had drawn herself small against the stone, her pale hair flat against her skull, still as a hare under a hawk’s shadow.

I stood and lifted Caesura, and it was already singing, faintly and wrong, a note pitched a hair off true that I felt in my back teeth more than heard. It went in at my left ear like a needle and stayed there, and from then on that side of the world was muffled, as though someone had stopped it with wool. My sword hand was steady. I want you to know that.

“Get behind me. Both of you.”


He came out of the dark like a piece of the dark deciding to take shape.

He was exactly what I remembered.

His skin was white as the belly of a fish pulled out of deep water, and his pale hair fell in loose curls to his shoulders. His eyes were black glass, without light or mercy or anything a human mind could hold. He moved easily, gracefully, like river water, with all his killing force underneath.

The cold deepened as he came. It was the cold of standing too close to a thing that had no business in a world where things are warm. Frost spread from under his boots, each footfall painting a white circle on the dark grass, and his shadow pooled behind him, too dark and too thick, reaching further than any shadow should.

I understood then what my parents had died facing. This was not a man. This was the memory of winter, given teeth.

“Busy.” He stopped at the edge of the dead firelight, and even the coals seemed to shrink from him. His voice was a blade, thin and cold and made for cutting. “Playing hero. Rescuing princesses from barrow kings. You declined my wine, as I recall.” He smiled, and there was no cruelty in it, because cruelty needs feeling underneath, and this was simply the smile of a scalpel. “I remember all of you.”

The words hit me like a fist. I felt the old anger come up in me, the anger that had kept me alive in Tarbean and driven me across half the world. Good. I needed it.

“You unmade part of me at Renere,” he said mildly. “A borrowed silence. Clever. But a boy does not kill winter by opening a window.”

“I’m not a boy anymore.”

“No.” The black eyes held mine. “Worse. You are a man who has learned just enough to be a catastrophe.”

He drew his sword.

It was long and dark, forged from something that was not metal. The blade drank the dim light, and along its edge crawled living letters, Yllish and older than Yllish, a writing of power from before the world was broken.

“Wil,” I said. “Take Auri. Go.”

“I’m not leaving you here.”

“This is his,” Auri said. She pressed her palm flat to the stone beside her, a gesture she saved for things whose names she knew. “This is what he’s for.”

Their footsteps went off into the dark, and then it was the two of us and the cold and the dying coals.

I settled Caesura firmly in my grip. The Adem sword felt different in my hands, lighter and more awake, as if it had been sleeping a long time and was beginning to stir.


He attacked first. He did not move quickly so much as instantly. One moment he stood at the edge of the coals’ glow, and the next his dark blade was coming for my throat.

I brought Caesura up and blocked. The shock travelled up my arms and into my teeth and kept going, a cold so deep it felt like burning. My boots slid back in the frost-killed grass.

He pressed me. Three strikes, then four, each carrying centuries of killing behind it, something older and rawer than any Adem form.

On his fifth strike I missed the parry. His blade caught my left forearm and opened it from the wrist halfway to the elbow. I did not feel it at first, as if the cold had got there before the pain and closed the door on it.

I staggered back. He let me.

“Ah,” he said quietly, watching me bleed. “There it is.”

He was toying with me like a cat with a bird whose wing it has already broken, less out of cruelty, though the cruelty was there, than out of habit. Three thousand years of habit.

I shifted my grip and set my feet, and remembered Vashet’s voice: When you cannot win, survive. When you cannot survive, make them pay for it.

I attacked. Low, fast, a combination Tempi had drilled into me until it lived in my muscles. Caesura hummed as it cut the air. Cinder turned the first strike. Turned the second. On the third, he stepped inside my guard and drove his elbow into my chest.

I went down hard. The ground knocked the air from my lungs. Caesura fell from my grip and rang against the stone.

Cinder stood over me. The dark blade rested against my neck, and the cold of it bit like a burn, though he had not yet troubled to cut.

“I have always admired futility performed with conviction,” he said. The black eyes were depthless, calm.

My hand found Caesura’s hilt. His blade was still at my throat. If I moved, he would open me before I could stand.

So I didn’t stand. I swept his legs.


It should not have worked, but Cinder’s contempt was three thousand years old, and it had made him careless. He had not expected the Edema Ruh boy to fight like a Tarbean gutter rat.

He staggered and recovered faster than anything mortal could, but I had Caesura back in my hand and I was on my feet, and our blades met on something like even terms.

The second exchange was different, though not because I had grown better. I hadn’t. Cinder had been fighting since before the Aturan Empire was a thought in a conqueror’s mind.

But Caesura was singing.

It made no sound an ear could catch. It was singing down in the place where naming happens, and each time it struck Cinder’s weapon the note came clearer, clean as a tuning fork set foot-down against wood. The sword had been given a name that meant the break in a line of perfect verse, and it was finding Cinder’s rhythm and learning to break it.

He felt it, and something besides contempt came into his face. Somewhere in him a string had slipped slightly out of true, and after so very long he could hear it himself.

We fought. There is no other way to say it. I could describe each parry and riposte, each time his blade found flesh and each time mine found something stranger. But fighting at that speed is not a sequence. It is a chord, and everything happens at once.

I will tell you what mattered.

I caught his wrist on a parry, turned it, and Caesura’s edge kissed his shoulder. Where it touched, his skin flickered, and for less than a heartbeat the white shine of him went dull. His eyes stuttered from black to something clouded, like ice over dark water, and his shadow thinned.

Then he was back, whole and furious.

He drove me across the clearing with strikes that came from everywhere and nowhere, and I blocked what I could and wore what I couldn’t, and the worst of it was a deep slash across my thigh that made my leg buckle.

Then my left hand failed.

I had felt it weakening all through the fight, the fingers going stiff, the grip loosening. It was the oath, Denna’s oath, the broken promise that had been eating me alive a piece at a time. It had already taken my music. Now it was taking this, while I stood there breaking the other promise too, the plain one she had asked of me by the river, to leave her patron alone.

My left hand cramped and locked, and Caesura twisted in my grip. I did not drop it. I held it wrong, the blade turned, the guard jammed against my wrist. It was a musician’s nightmare, the hand that knows the fingering and cannot make the shape.

Cinder’s blade came in. I caught it on Caesura’s edge, but the angle was wrong, my wrist folded, and the shock of it went through the locked hand and up the arm into my shoulder like a nail driven into green wood.

I heard myself make a sound lower than a scream, out of the place where the silence lived.

I switched to a one-handed grip and lost my leverage with it, and the steering a second hand gives, so that every parry came a hair late. It was like losing an octave in the middle of a song.

Cinder saw it, and his old smile came back, the smile of a hunting thing that knows the moment its prey stops running.

“Your hand. The oath is taking it.” He circled me, patient now. “Denna’s final gift.”

I didn’t answer. I hadn’t the breath. Blood ran freely down my arm, and down my leg into my boot, and the cold was in it, slowing everything.

He came in for the kill, fast and direct, with no more cruelty and no more toying, a clean thrust aimed at my heart.

I turned it, barely. Caesura rang like a bell struck wrong, and the shiver of it ran up my arm and into my chest and met the cold there, and for a terrible moment I thought my heart would stop.

But the note Caesura sang when it touched his blade was different now, clearer and stronger. The sword had found the deep true name of the thing that held Cinder together, and was singing that name backwards, quietly and without force, but exactly. It was a single voice in a cathedral cracking a glass because it had found the pitch. At the middle of that name, where I had braced to feel something like iron, the old lock that held a warden to his door, there was only a hollow, burned perfectly smooth, as the heart of a stump is burned out when a fire has been left to eat it from the inside. I did not understand then what I had touched.

Cinder gave ground.

His eyes flickered from black to grey to something almost human, wide and frightened and three thousand years tired. His shadow thinned to a whisper, and the frost under his feet drew back.

And then he was back, but less than he had been. There were hairline cracks in the deep name of him, and though the eye could not see them the sleeping mind could. The silence I had spoken at Renere had left them, and Caesura was singing into them.

He knew it. I watched the knowing come into his face.


The end did not come simply. It came as the last note of a song comes, prepared by everything before it, inevitable and still a shock when it sounds.

Cinder gathered himself, everything he had left, the ancient malice and the ancient grace and the cold of three thousand lightless years, and brought it all into a single strike.

I saw it coming. Had time to step back, to dodge, to survive.

Bredon had told me once, quietly, in the dark of a garden pavilion, that Cinder had burned through his own lock long ago, and I thought of the hollow the sword had found in him. If Bredon was wrong, I was about to crack the world.

I stepped forward.

His dark blade went in along my left side and skidded on the bone of my ribs, and stuck there. The cold of it was total, the cold of the space between stars, every frozen night I had spent in Tarbean squeezed into one point of ice inside me.

And in the same breath I brought Caesura around with everything I had left, every scrap of will and anger and love and grief, and the blade caught Cinder across the chest.

Shallow. A hand’s breadth of cut, no more.

But Caesura sang as it touched him, and the note was clear and final, the name of ending, the silence that falls when the music stops.

The cut opened something deeper than flesh. The binding that had held him together since before the world remembered what it lost came apart along the line Caesura drew.

His fingers opened slowly on the hilt and let it go, as if it had grown too heavy to hold.

Cinder staggered. Looked down at the wound. Looked at the dark blade caught in my side. Looked at me.

I pulled his sword slowly out of my body. The blade came apart as I gripped it, going to cold and shadow, and left the wound open and bleeding freely.

Cinder’s knees buckled. His eyes, those black, bottomless eyes I had hated since I was twelve years old, found mine.


“Your parents,” he said.

The words stopped me, my hand still on Caesura’s hilt, the blade still singing its final note. Everything stopped.

“They sang. At the end.”

I had played the moment out a thousand times behind my eyes, in Tarbean’s alleys and the Medica’s beds, on the road and in the dark, imagining defiance, or cruelty, or silence, or one last try at killing me. I had imagined every ending but this one.

“Your mother,” he said. His voice was changing, the sharp edges dulling, the cruelty burning off it like morning frost off a field. What was left underneath was not human and never would be, but it was nearer to human than anything I had heard from him. “She sang even after she knew. Even after the others had stopped. She was looking at your father. He was already…” A pause. “She was singing to him. A song I didn’t know.”

I couldn’t speak. My throat had closed around something that was a word and a breath and a scream all at once, and would come out as none of them.

“I have heard a great deal of singing in three thousand years,” Cinder said. “Most of it meant nothing. Noise. Performance. Decoration on the silence.” He looked at me, and for one instant the black eyes were clear as well water. “Your mother’s singing meant something. It was the finest thing I have heard in thirty centuries. And I was the reason it stopped.”

“Why are you telling me this?”

“Because you should know.” His voice was barely a whisper now. “Because someone should remember. Because the world should contain the knowledge that Laurian sang to the end and her song was beautiful.”

The name struck me in the chest. Laurian. He had called my mother by her own name. She had been born a Lackless, and my father had given her a Ruh name, and Laurian was neither of those. It was the one she chose for herself and carried into the life she wanted.

The grief was an old grief, built down into the foundation of who I was, holding up the walls. But Cinder’s words found the seams.

I felt the tears on my face, hot against the cold air.

“Why didn’t you stop?” I asked.

“Haliax commanded.” His lips pulled slowly back from his teeth, and whatever it was, it was not a smile. “Three thousand years. Never once the strength to refuse, not once.”

He was coming apart. His edges went first, blurring until you could not say where his body stopped. The white skin went thin as paper held to a candle. The black eyes faded to grey.

“You freed me,” he said.

The words were barely louder than breathing, but I heard them, and under their thinness I heard something I did not like, the quiet contentment of a man who has got what he wanted at last. I brought Caesura down. There was no anger in it and no vengeance. It was mercy, the only mercy I had left to give him.

The blade passed through what remained, and the note it sang was clean and pure. A caesura.

Cinder came apart the way a word comes apart when you forget it mid-sentence. The darkness that had been the stuff of him scattered into the night air and was gone, taken up into the larger dark until there was no telling them apart.

The grass where he had knelt was empty.


I stood there.

The fire had quietly come back to itself, its flames steady and warm, pushing back a darkness that was only darkness now.

I lowered Caesura. Whatever Cinder’s blood had been, it had gone with the rest of him and left no stain. Nothing proved he had ever stood there except the cuts on my body and the frost on the grass.

I had dreamed of this since I was twelve, since the night I found the clearing and the fires and the silence. The dream had carried me through Tarbean and driven me to the University.

The moment was hollow.

Hollow as a bell is hollow. Cinder was dead and my parents were still dead, and the distance between those two facts was what it had always been.

If he had told me the truth, my mother had been singing when she died, and Cinder, the monster, the murderer, the three-thousand-year-old engine of cruelty, had heard the beauty in it and carried it for years, and had given it to me as the last thing he did in the world.

I didn’t know what to make of that.

She had sung. At the end. In the dark. She had sung.

I sheathed Caesura and sat down on the frost-killed grass and pressed my hands to the earth, as Auri pressed hers to stone, and listened.

I was not listening for the wind or the fire or the names of things.

I was listening to the silence. The silence my mother had sung into, the one that was there before the song and would be there after it, the silence that holds everything: the living and the dead, the singing and the silent, the beautiful and the broken.

I had braced for the world to lurch when he died. The old texts warned of it, and Bredon had told me how it worked: each of the Seven had become a lock, and killing one broke the seal it had become. That was the Cthaeh’s whole design, to set me hunting them, to make my vengeance the hammer that shattered the world one Chandrian at a time.

But nothing lurched, and no door gaped wider. For a few breaths I sat there in the frost and felt nothing but relief, and then I understood what the quiet meant, and the relief went out of me like heat out of a stone.

The hollow the sword had found in him was where his lock had been. He had burned through it slowly, a splinter at a time, clawing for three thousand years at the door he was set to guard, and it had failed a long age ago, and the other six had been holding his share of the world ever since. Lose one, the rest compensate, Devi had said over her diagrams in Renere. Lose three… One had been lost for longer than anyone living could reckon. It was part of why the doors were thinning, a hole far older than anything I had done at Renere, and I had killed the only one of them whose death could cost the world nothing.

Never once the strength to refuse, he had told me, dying. He had refused every day of those three thousand years, the one duty that held the world together, and burned his lock away doing it. He had only never found the strength to refuse the killing.

And I had staked everything on a sentence of Bredon’s, spoken in the dark of a garden. Fela had asked what happens to a lock when the man holding it dies, and I had let the question go by as though I had not heard it. The answer had been merciful, this once. There were six left, every one of them still holding, and I had fully meant to hunt them all.

I was still a fugitive, still losing pieces of myself to a broken oath that didn’t care about justice or vengeance or the fact that the man who deserved punishing had already gone into the dark.

Still, Cinder was gone, and my mother had died singing. That was something, even if it felt like nothing.

This is unofficial fan fiction, not affiliated with Patrick Rothfuss or DAW Books. The Kingkiller Chronicle and all related characters are the property of their respective owners.