← Table of Contents Chapter 103 · 16 min read

Chapter 103: Soldiers at the Door

THE KNOCKING CAME just before midnight.

Not a polite knock. Not the tentative rap of a traveler seeking shelter, or the familiar pattern of a regular looking for a late drink. This was the knock of authority — heavy, rhythmic, delivered with the flat of a gauntleted hand. Three blows, spaced evenly. Then silence. Then three more.

The sound cut through the keening outside like a blade through cloth. For one disorienting moment, the chorus of inhuman voices fell silent, as though the things in the darkness had paused to observe this new development with interest.

Kote’s eyes met Bast’s across the room. A conversation passed between them in the space of a heartbeat — wordless, dense with shared understanding.

Bast moved first. His hands found the pages on Chronicler’s table and gathered them with the quick, precise movements of someone who has rehearsed this action many times. The stack disappeared beneath the loose floorboard near the hearth — the one that sat slightly higher than its neighbors, the one that Bast’s bare feet always avoided because of the iron nail driven into its underside.

Chronicler opened his mouth to protest — those pages represented three days of work, the most important manuscript of his career — but Bast silenced him with a look. Not a human look. A Fae look, direct and alien and absolutely certain.

“Under the board,” Bast whispered. “Iron-capped. They won’t look there. No one touches iron they don’t have to.”

The glamour was back. Bast had pulled it on like a cloak in the seconds between the first knock and the second — smoothing his features, rounding his ears, dimming his eyes to merely unusual instead of impossible. He was just a young man now. Handsome, perhaps a bit simple, the kind of face that invited dismissal.

Chronicler’s inkwells and pens vanished into his satchel. The satchel went under his chair, draped with his traveling cloak to look like a bundle of laundry. He straightened his shirt, ran a hand through his hair, and became — in the space of thirty seconds — not a scribe but a traveler. A merchant, perhaps. A man of no particular importance stopping for the night.

The transformation was professional. Practiced. The work of a man who had, on more than one occasion, found it necessary to be someone other than Chronicler.

Three more knocks. Harder this time.

“Coming, coming,” Kote called. His voice had changed. The hoarseness was still there — you couldn’t fake that away — but the bearing behind it was different. The quiet intensity, the coiled stillness, the sense of vast capability held in check — all of it was gone. In its place was a different man entirely. A man who moved with slight uncertainty, whose shoulders rounded forward, whose eyes were a little too wide, a little too eager to please.

The innkeeper. The mask. The role he had been perfecting for years.

Kote shuffled toward the door — actually shuffled, his feet scuffing the floor, his gait suggesting a man who was neither young nor old but firmly, unremarkably middle-aged. He fumbled with the latch for a moment longer than necessary.

“Just a moment — damn thing sticks in the cold — there we are.”

He opened the door.


Five soldiers stood in the yard of the Waystone Inn. They wore the iron-grey tabards of the Penitent King’s army, each marked with the red tower sigil that had become the most feared symbol in the Four Corners. Their armor was road-worn but well-maintained — the armor of professionals, not conscripts. Each carried a sword at the hip and a crossbow slung across the back.

The one in front was their sergeant. A thick man with a close-cropped beard and the flat, assessing eyes of someone whose profession required him to evaluate threats quickly and accurately. His hand rested on his sword hilt — not gripping it, just touching it. A reminder. A statement.

“Evening,” the sergeant said.

“Good evening, good evening.” Kote stepped back from the doorway, his body language open, welcoming, slightly nervous. The posture of a man who has nothing to hide and everything to lose. “Please, come in. It’s a cold night. Can I offer—”

“We’re not here for hospitality.” The sergeant didn’t move. His eyes swept the interior of the Waystone — the empty tables, the dying fire, the two men sitting in the common room. His gaze lingered on Chronicler for a moment, then moved on.

“Of course, of course. Is there trouble? Has something happened?”

“You could say that.” The sergeant produced a folded paper from his belt pouch. He opened it with the deliberate care of someone handling an official document. “We’re searching for a man. Red hair. Green eyes. Known to frequent rural inns. Goes by various names.”

He held up the paper. Even in the dim light from the doorway, Chronicler could see what it was: a wanted broadsheet. The woodcut image showed a man’s face, rendered in the crude strokes that were the best the Penitent King’s printers could manage. The hair was crosshatched to suggest red. The eyes were dark circles that could have been any color. The expression was one of generic menace.

Beneath the image, in block letters: KINGKILLER.

Kote looked at the broadsheet. His face showed nothing but mild surprise and civic concern. “Goodness. The Kingkiller? Out here?”

“Someone sent word. A merchant passing through, claimed he saw a man matching the description running an inn in the area.”

“An inn.” Kote blinked. Looked around at the Waystone as if seeing it for the first time — the empty room, the dusty bottles, the general air of dignified neglect. Then he laughed. A small, self-deprecating laugh, the laugh of a man who understands the absurdity of the suggestion and wants to share the joke.

“Sergeant, I’m flattered that anyone thinks the Kingkiller would choose my establishment. But look around. Does this seem like the kind of place a notorious murderer would hide? I can barely keep the fire lit.”

Two of the soldiers smiled. The sergeant did not.

“The man we’re looking for is clever,” the sergeant said. “Known for disguises. Known for hiding in plain sight. A place like this — remote, quiet, unremarkable — that’s exactly where a clever man would go.”

“Clever.” Kote scratched his head, displacing a few strands of red hair. In the gesture, he managed to look bewildered, slightly dim, and vaguely offended all at once. “Well, I suppose I can’t argue with that logic. You’re welcome to look around, of course. Search the whole building if you like. I’ve nothing to hide but a sadly depleted wine cellar and a kitchen I should be ashamed of.”

The sergeant studied him. His eyes moved from Kote’s face to his hands to his posture to the set of his shoulders. Professional assessment. The kind of looking that was designed to strip away surfaces and expose what lay beneath.

“Your hair,” the sergeant said.

“My hair?”

“It’s red.”

“Ah.” Kote touched his hair as though he’d forgotten it was there. “Yes. Has been since birth, much to my mother’s despair. She was a brunette. My father too. The midwife said it was the sign of a wild temperament.” He smiled ruefully. “She was wrong. I’m the least wild man you’ll ever meet. Ask anyone in town.”


The soldiers came inside.

They moved with the particular economy of men who have searched many rooms in many buildings and have reduced the process to efficiency. Two went upstairs, their boots heavy on the wooden steps. One disappeared into the kitchen. One positioned himself by the door — not blocking it, exactly, but making clear that the exit was noted and attended.

The sergeant remained in the common room. His eyes continued their slow inventory — the bar, the bottles, the mounted plaques where no awards hung, the sword on the wall above the bar — an odd ornament, but the blade was dark with tarnish and the mounting board read Folly in careful script, and a sergeant who saw a hundred such decorations in a hundred inns would file it as affectation and move on.

His gaze stopped on Chronicler.

“You. What’s your business here?”

Chronicler looked up with the practiced expression of a man interrupted during his evening routine. “Traveling. Stopped for the night. The roads aren’t safe after dark, as I’m sure you know.”

“Where are you headed?”

“Atur. I deal in cloth. Linens, mostly. Nothing exciting.” Chronicler’s voice was perfectly calibrated — bored, slightly irritated, cooperative enough to avoid trouble but not so cooperative as to seem eager.

“Papers?”

Chronicler produced a folded document from his coat pocket. Not his Chronicler’s credentials — those were hidden with the manuscript pages — but a secondary set of identification he always carried. Merchant papers, properly stamped and sealed, establishing one Devan Lochees as a licensed trader in textiles.

The sergeant examined them, his lips moving slightly as he read. He handed them back.

“And you?” He turned to Bast.

“I work here.” Bast’s voice was cheerful, uncomplicated, the voice of a young man whose greatest ambition in life was to pour drinks competently. “I’m the help. Bast.” He extended his hand. The sergeant didn’t take it. Bast let his hand drop without embarrassment, as if he’d simply forgotten what hands were for.

“How long have you worked here?”

“Oh, years. Since I was young. Well. Younger.” He grinned. “Mister Kote took me on when I needed work. Good man. Terrible cook, but a good man.”

“I heard that,” Kote said from behind the bar, where he was making a show of straightening bottles that didn’t need straightening.

“You were meant to, sir.” Bast’s grin widened. The performance was flawless — the easy familiarity between employer and employee, the affectionate ribbing, the warmth. Anyone watching would have seen exactly what Bast wanted them to see: a simple young man devoted to a simple older one, in a simple inn, in a simple town.

The sergeant’s expression didn’t change.


The other soldiers returned. One from upstairs, reporting nothing but dusty guest rooms and a storage closet full of empty barrels. One from the kitchen, reporting nothing but a poorly stocked pantry and a collection of knives that were, in his professional opinion, inadequately maintained.

“Found a locked room upstairs,” the other soldier said. “Back of the hall. Wouldn’t open.”

“That’s my private quarters,” Kote said quickly. Too quickly? No — exactly quickly enough. The speed of a man who has something ordinary to protect. “Personal effects. Nothing of interest.”

“Open it.”

Kote hesitated. The hesitation was masterful — just long enough to suggest reluctance, not long enough to suggest defiance. “Of course. Let me get the key.”

He climbed the stairs with the soldiers. Chronicler heard footsteps overhead, a door opening, voices too muffled to make out. Then footsteps again, descending.

The soldiers’ posture had relaxed fractionally. Whatever they had found in Kote’s room had confirmed their growing impression: nothing. A nobody. A red-haired innkeeper in a town that wasn’t on any map worth reading.

But the sergeant had not relaxed.

He stood in the center of the common room, turning slowly, his eyes moving across every surface with the methodical patience of a man who knows that the most important clue is often the one that isn’t there.

“Quiet town,” he said.

“Very quiet,” Kote agreed.

“Don’t get many travelers?”

“Not many. A few merchants. The odd farmer wanting a drink after market day. We’re a bit off the main roads.”

“Mmm.” The sergeant walked to the bar. Leaned against it. His proximity to Kote was deliberate — close enough to study, close enough to pressure, close enough to observe the small involuntary reactions that lies produce. “You know, the thing about the Kingkiller — in the stories — is that he was supposed to be charming. Clever. The kind of man who could make you believe anything.”

“I’ve heard the stories,” Kote said.

“The kind of man who could stand right in front of you and make you see someone else entirely.”

A beat of silence. Just one.

“That does sound frightening,” Kote said. His voice was mild. Appropriately concerned. “Do you think he’s really in the area?”

The sergeant didn’t answer immediately. He was looking at Kote’s hands. They rested on the bar — the innkeeper’s habitual posture, natural and unremarkable. But the sergeant was looking at them the way a man looks at a weapon he can’t quite identify.

“You’ve got a musician’s hands,” the sergeant said.

“I beg your pardon?”

“Long fingers. Callused tips.” The sergeant reached out and took Kote’s right hand, turning it over, examining it the way a horse trader examines a hoof. “These aren’t the hands of a man who’s spent his life pulling taps and kneading bread.”

Kote didn’t pull away. Didn’t tense. Didn’t do any of the hundred things that would have confirmed the sergeant’s suspicion. He simply stood there, his hand limp in the soldier’s grip, his expression one of mild confusion.

“My mother played the mandolin,” he said. “She taught me when I was young. I haven’t played in years, though. The calluses are just — old, I suppose. Like me.” He smiled. A sad smile, a self-aware smile, the smile of a man who knows that his best days are behind him and has made peace with the fact.

The sergeant held his hand for three more seconds. Then released it.


In his chair by the hearth, Chronicler sat very still and thought about the pages hidden beneath the floorboard.

If the soldiers found them — if some stray boot caught the edge of the loose board, if some instinct prompted the sergeant to look more carefully — it would be over. Not just for Kote, but for Chronicler himself. Aiding the Kingkiller was a hanging offense. Harboring him was a hanging offense. Recording his story — well, no one had thought to make that illegal, because no one had imagined anyone would be foolish enough to do it.

The pen in Chronicler’s pocket felt heavy. The weight of evidence. The weight of truth.

He thought about the story he had spent three days recording. About the boy who had loved music and the man who had killed a king. About the vast gap between those two identities and the long, painful road that connected them. He thought about the things Kote had told him — the Chandrian, the Amyr, the doors, the seal — and how all of it, every word, was sitting beneath a floorboard six feet away, protected by nothing but a rusted iron nail and the assumption that soldiers wouldn’t look.

Assumptions. The whole of Kote’s survival rested on assumptions. The assumption that a quiet inn in a quiet town was beneath notice. The assumption that a man who looked harmless was harmless. The assumption that red hair was just red hair, and long fingers were just long fingers, and the silence that filled the Waystone was just the ordinary silence of a place where nothing happened.

Assumptions were fragile things. They broke without warning, and when they broke, everything built on them came down at once.

Chronicler kept his face neutral. Kept his breathing even. Kept his hands folded on the table in the posture of a mildly inconvenienced merchant who wanted nothing more than to finish his evening and go to bed.

But his eyes tracked the sergeant’s movements with the attention of a man who understands that his life might depend on the next thirty seconds.


Bast was performing.

He had positioned himself behind the bar next to Kote, ostensibly helping to clean up for the night, and his movements were a masterpiece of misdirection. Every gesture was slightly clumsy — a glass fumbled and caught, a bottle nearly dropped, a towel flicked in the wrong direction. He bumped into Kote twice, apologized both times with exaggerated contrition, and managed to knock a spoon off the bar with his elbow while reaching for a cloth.

It was brilliant.

Every error drew the soldiers’ attention to Bast and away from Kote. Every stumble reinforced the image: a simple young man, a bit careless, a bit clumsy, the kind of help you hired because he was cheap and willing rather than competent. The soldiers watched Bast with the mild amusement of professionals observing an amateur, and in watching him, they stopped watching Kote.

All of them except the sergeant.

The sergeant had not stopped watching Kote.

He stood at the bar, his drink — Kote had poured whiskey for all of them, free of charge, the gesture of a cooperative citizen — untouched before him. His eyes moved between Kote and Bast and Chronicler in a slow, regular pattern, the way a shepherd’s eyes move between his flock and the treeline.

He was waiting. For what, Chronicler couldn’t tell. A slip, perhaps. A moment when the mask cracked. A word or gesture or expression that would confirm what his instincts were telling him and his evidence was not.

“We’ll be moving on,” the sergeant said finally. He hadn’t touched his whiskey. “But we’ll be patrolling this area for the next few days. If you see anything unusual — travelers who don’t belong, strangers asking questions — you send word to the garrison at Abbenton.”

“Of course,” Kote said. “Absolutely. Happy to help.”

“And if you think of anything else…” The sergeant paused. His hand went to his belt pouch. He produced something small and bright and placed it on the bar between them.

A coin. Not an ordinary coin — this one was heavy, thick, stamped with the Penitent King’s seal on one side and the red tower on the other. A king’s coin. The kind given to informants. The kind that carried an implicit promise and an implicit threat.

“There’s a reward,” the sergeant said. “For reliable information. The King is generous to those who help.”

Kote looked at the coin. His expression was perfect — interested, tempted, slightly awed. The expression of a man for whom a king’s coin represented a significant amount of money.

“I’ll keep my eyes open,” he said.

The sergeant nodded. He looked at Kote for one more long moment. Then he turned, gestured to his men, and walked toward the door.

Four soldiers followed him. Their boots were loud on the wooden floor, their armor creaking, their presence filling the room with the particular heaviness of armed men. They filed out into the darkness one by one.

The sergeant was the last to leave. At the threshold, he paused. Looked back over his shoulder.

“The Kingkiller,” he said. “In the stories, they say he was impossible to find. That he could disappear in a room full of people. That he could make you look right at him and see someone else.”

He waited. The silence in the Waystone pressed against the walls.

“They also say he had red hair,” the sergeant said. “Funny thing about red hair. You can’t hide it. Can’t dye it, either — something about the pigment, the way it holds. A man with hair like that… you’d think he’d be easy to find.”

He held Kote’s gaze for three heartbeats. Then he paused, as though remembering something.

“One more thing.” His voice was almost conversational. “There’s a tribunal caravan three days behind us on the Great Stone Road. Inquisitors from the capital. The Penitent King has decided that finding the Kingkiller is no longer a military matter — it’s a judicial one.” He adjusted his glove. “Inquisitors are thorough, innkeeper. They don’t just search rooms. They search records. Neighbors. Histories. They talk to every person you’ve spoken to in the last seven years, and they take their time doing it.”

He let that settle.

“Three days,” he said. “Give or take. Depending on the roads.”

Then he stepped through the door and into the night.

The door closed.

The silence flooded back — but it was a different silence now. A silence with a number attached to it. Three days. Not the vague, erosive pressure of a world slowly breaking, but a specific deadline, ticking like a clock in a room where no clock had ever been needed.


Nobody moved for a full minute.

Then Bast let out a breath that seemed to have been stored in the deepest chambers of his lungs, a breath held so long that its release was almost a sound in itself, a soft groaning exhalation that spoke of tension finally released.

“That one,” he said. “That one isn’t stupid.”

“No,” Kote agreed. His voice was still mild, still the innkeeper’s voice, as though the mask hadn’t quite come off yet. Or couldn’t. “He’s not.”

“He’ll be back.”

“Yes.”

“And next time he won’t be alone. He’ll bring more men. He’ll bring questions he’s had time to sharpen.” Bast’s glamour flickered — his eyes brightening, his features sharpening — before he caught himself and smoothed it back. “We should leave. Tonight. Before dawn.”

“And go where?” Kote asked. The mask was fading now, the innkeeper retreating, the man beneath emerging like a figure from fog. “There is nowhere to go, Bast. The roads are watched. The towns are garrisoned. The Penitent King has men in every county between here and the Stormwal. Running would only confirm what the sergeant already suspects.”

“Then what do we do?”

Kote picked up the king’s coin from the bar. He held it up, turning it in the firelight. The Penitent King’s profile gleamed — a young man’s face, rendered in silver, wearing an expression of stern righteousness that the actual king had probably never achieved.

“We finish the story,” Kote said.

“The story won’t stop them from coming back.”

“No. It won’t.” He set the coin down. “But when they do come back — when the sergeant returns with his questions and his men and his certainty — the story will be finished. Chronicler will have it. All of it. And that is the only thing that matters now.”

He looked at Chronicler. The scribe was already retrieving his pages from beneath the floorboard, his hands quick and careful, his face pale but composed.

“How much more?” Chronicler asked. His voice was steady. The voice of a man who has decided that the only way forward is forward. “How much of the story is left?”

Kote considered this. The firelight moved across his face, painting and erasing shadows, so that for a moment he looked like three different men — young, old, and something in between that had no age at all.

“Not much,” he said. “A few hours. We’re nearly at the end.”

Outside, the darkness was absolute. The soldiers’ torches had dwindled to orange pinpricks on the road, then vanished entirely. The keening had resumed — softer now, more distant, but still present. Still waiting.

And somewhere in the night, a sergeant was riding back to his garrison with a name forming in his mind that he hadn’t quite spoken yet. Behind him, three days back on the Great Stone Road, a tribunal caravan was rolling steadily closer, carrying inquisitors and chains and the particular patience of men whose profession was the dismantling of disguises.

The noose was tightening. And now it had a schedule.

Kote could feel it. He had felt nooses before — political, physical, metaphorical — and he knew the particular sensation of options narrowing, of walls closing in, of the space for maneuvering contracting to a point.

He picked up his cloth. Began to wipe the bar.

“Whenever you’re ready, Chronicler,” he said.

And the story continued.

This is unofficial fan fiction, not affiliated with Patrick Rothfuss or DAW Books. The Kingkiller Chronicle and all related characters are the property of their respective owners.

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