← Table of Contents Chapter 5 · 10 min read

Chapter 05: Copper and Cologne

AMBROSE FOUND ME in the Fishery the next day.

I’d been there since second bell, before the sun had burned through the haze that clung to the courtyard each morning. The Fishery was always best at that hour. The forge hadn’t been lit yet, so the air was merely warm instead of brutal, and the great room held a stillness that belonged to places waiting to become loud. The glass sphere lamps hung in their iron cradles twenty-five feet above, their light steady and faintly blue. Below them the worktables spread out in rows, scarred and stained and beautiful the way any well-used tool becomes beautiful after years of honest work.

I was filing a copper joint for a heat-sink schema, tolerances finer than a hair. The work was exacting and mindless at once, which suited me. The copper had its own smell, a bright metallic sweetness that cut through the Fishery’s usual perfume of solder flux and lamp oil.

Jaxim, the E’lir at the next bench, had been struggling with a heat-eater schema for the better part of an hour, muttering the same three runes with rising frustration. He’d inverted the third and fourth in the binding sequence, a common mistake. But offering help too quickly robs someone of the understanding that comes from finding the error yourself. So I kept filing.

On the third attempt, he found it. I smiled, and didn’t look up.

That was when Ambrose’s cologne reached me. Sandalwood and something sweeter, cloying, a fragrance that cost more per ounce than a student earned in a term. His silence, the silence of someone who expects to be noticed, confirmed the rest.

I continued adjusting the binding, keeping my hands steady. The Adem training helped.

“So the prodigal returns.” His voice dripped false pleasantry. “I’d heard rumors, of course. But I wanted to see for myself.”

“What do you want, Ambrose?”

“Just to welcome you back.” He moved around the workbench, positioning himself in my line of sight, and I had no choice but to look at him.

He’d changed. Not in the ways that mattered: the handsome face, the perfect hair, the clothing cut from cloth that cost more than my tuition. Those were constants, as reliable as gravity. But there was something new around his jaw, a tightness that hadn’t been there before. His rings were different too. Where he’d once worn silver and sapphire, the rings of a baron’s eldest son playing at being a gentleman, he now wore gold set with dark stones I didn’t recognize. Rings that signified allegiances, not vanity.

His smile was the smile of a cat who has cornered something interesting. “It’s been a quiet year without you. Almost peaceful.”

“I’m sure you found ways to amuse yourself.”

“I did.” His eyes glittered. He set one hand on my workbench, casually, possessively, the gesture of someone who already considered it his. His fingers were inches from my tools. “I made some new friends. Learned some interesting things. Discovered that the world is much larger than the petty conflicts we’ve waged here.”

“How philosophical of you.”

“How practical of me.” He leaned closer, lowering his voice. Around us, the Fishery hummed and clanked: the bellows, the grinding wheels, the percussion of fifty students hammering and shaping metal. No one was listening. But Ambrose lowered his voice anyway. “Things are changing, Kvothe. Powers are shifting. And when the music stops, people are going to have to choose which side they’re on.”

I finally looked up. Looked at him properly, as the Adem had taught me to look at an opponent. Not just the surface. The weight, the balance, the center of intention.

What lay beneath stopped me.

This wasn’t the Ambrose I remembered, the spoiled noble playing at politics, the boy who’d broken my lute and stolen my horse and conducted his cruelties with the carelessness of someone who had never faced consequences. This was someone who had learned things. Been taught by someone. The arrogance was still there, the entitlement bred into his bones by generations of Jakis wealth and power. But it had edges now. Purpose. He stood differently — not the lounging confidence of a rich man’s son, but something coiled, waiting.

His father’s hand, I thought. Or someone else’s.

“Is that a threat?” I gave him my best smile, the one that showed teeth. “Because I’ve been threatened by Adem mercenaries and Fae royalty this year, and I have to say, you’re not quite measuring up.”

He’d come expecting the Kvothe he remembered — the brash, reactive boy who could be goaded into mistakes. He didn’t find him.

“A year is a long time, Kvothe. Long enough for people to forget why they ever liked you.” His smile turned sharper, but there was a brittleness to it now. “Long enough to realize they never really did.”

He held my gaze a moment longer, and something flickered there I’d never seen from Ambrose before, the cold arithmetic of a man counting pieces on a board and deciding which ones can be sacrificed.

“Enjoy the quiet,” he said, straightening his cuffs. “I’m away south at span’s end. Family business.” The smile returned, thinner now. “You’ll find the weather here can change while a man is gone. You of all people should know.”

Then he turned and walked away, his footsteps swallowed by the clamor of the Fishery.

I picked up the copper joint I’d been filing. The tolerances were off now. My hands had held steady through the conversation, but something in me had shifted, and the file had followed. A thousandth of an inch, maybe less. Enough to ruin the binding.

I set the piece aside and started a new one.


I went to the Archives that evening. And the evening after. And the evening after that.

I did not go to read. I went to count.

Every library has two shapes: the shape of what it says it holds, and the shape of what it holds. In most libraries the two differ by carelessness — books mislaid, borrowed, rotted, stolen. I was hunting a different kind of difference. Her song was not a wild thing. It was built, the way an arrowcatch is built, and whoever built it had learned the craft somewhere. Songs that change the shape of a listening mind. Verse that binds. The marriage of music and naming. If such craft had ever been written down, the Archives would have held it. And if someone had wanted it un-held, the catalogue would remember what the shelves had forgotten.

The Archives received me as a cathedral receives a sinner, with indifferent grandeur and the faint suggestion that it had seen better. Above the great stone doors, the inscription I’d read a hundred times: Vorfelan Rhinata Morie. The desire for knowledge shapes a man. There are other readings, less flattering.

I worked through the catalogues the way Devi works a ledger: patiently, twice. I copied out every entry that touched my hunt — compulsion in verse, Yllish knot-script, the singers of the old courts, the music archives of Caluptena — and then I walked the stacks and checked the entries against the wood. The first evening gave me four absences. The second gave me eleven. Not misshelved; I checked the neighboring cases, the returns bins, the sorting tables. Eleven books, spread across four disciplines, with nothing in common except that each of them touched, somewhere, on what a song can be made to do. The gaps sat in the rows like missing teeth, the wood darker where the covers had pressed against it for a century. Some of the shelves nearby held books chained to the wood with delicate copper links, their spines turned inward so the titles couldn’t be read.

On the third evening I did the thing that, looking back, a wiser man would not have done.

I filed request slips. Three of them, for the three most promising of my missing eleven, each in my own hand, over my own signature. It is the procedure. When a book is absent from the stacks, a slip goes to the scrivs, and the scrivs consult the master ledger to trace where it has gone. It seemed efficient. It did not occur to me — it did not occur to me for a long time — that a locked door is one kind of trap, and a ledger is another.

The scriv at the desk was an older man with the careful posture of someone who has been sitting most of his life. He read my third slip twice. He looked at me once, without expression, the way you look at a coin you suspect. Then he wrote something in the margin of his own book and told me, courteously, that the titles were unavailable.

The summons came the next morning. A first-term scriv found me at Anker’s with a folded note, plain paper, a hand so precise it could have been set in type: Re’lar Kvothe. The Archives. Third bell. — L.


A scriv I didn’t know led me deeper than my access had ever run. Past languages ancient and obscure, the spines of their books stamped in scripts I couldn’t read. Past histories that had been old when the University was young. The sympathy lamps grew fewer, the corridors narrower, and the air took on a mineral dampness that spoke of stone foundations laid before anyone living could remember why.

Lorren was waiting in a small study chamber tucked behind a stairwell I’d never noticed, at the end of a corridor lined with shelves that held nothing but dust and the memory of holdings. A single table of dark hardwood. Two straight-backed chairs. A sympathy lamp casting a circle of cool light that didn’t quite reach the corners.

“Close the door,” he said.

I did. It shut with a soft, definitive click. The sounds of the Archives, the distant murmur of students, the creak of shelves, the whisper of turned pages, all vanished, cut clean.

He gestured to the empty chair. I sat.

For a long moment, Lorren said nothing. He regarded me the way he might a damaged book brought back from lending — weighing what might be salvaged.

Then he laid three slips of paper on the table between us, side by side, the way a gambler lays down a losing hand.

My slips. My signature.

“Three requests,” he said. “Filed in three days. For three books that have not stood on these shelves in longer than you have been alive.” His expression remained stone. “You were asking questions like these before you left. About the Amyr. About what happened to your troupe. I warned you then to be careful. You have come back louder.”

“The catalogue says the University owns them.”

“The catalogue says many things.” He did not look at the slips again. “Do you know what a request slip is, Re’lar Kvothe?”

“A courtesy.”

“It is a record. Everything asked of this place is written down. Who asked. What they asked. When.” He let that sit. “The ledger does not forget. And it is not mine alone to read.”

I said nothing. There was nothing to say.

“This is not the first time we’ve had this conversation.” He opened a drawer, removed a single sheet of paper, and slid it across the table.

Seven entries, written in Lorren’s precise hand. Names, dates, locations. I scanned them like a physician’s chart, looking for the pattern that explained the symptoms.

The first entry was over thirty years old. A researcher at the University of Renere. Beside the name, in smaller script: Missing.

The second was twenty-six years back. Dead.

I read faster. A folklorist from Vintas. A linguist from the Small Kingdoms. Names I didn’t recognize, spread across decades and countries and disciplines, connected by nothing obvious. Then the fifth name stopped me cold — Hetera vas Leitha. I’d seen that name before. She’d written a monograph on Caluptena that Puppet had once lent me, the margins crowded with her annotations. Sharp, careful work.

Beside her name: a dash. As if even the outcome was unknown.

The last entry was less than a year old.

“What is this?” I asked, though I already knew.

“People who asked the questions you are going to ask.”

“The Amyr,” I said.

He went still. Then he reached across the table and took the paper back. Folded it. Returned it to the drawer.

“My parents—”

“Were singers.” His face was stone. “Some songs are not meant to be sung.”

“You’re saying they knew too much.”

Lorren stood. Walked to the door. Paused with his hand on the handle, his back to me.

“Your slips I can lose,” he said. “The ledger entry I cannot. You have signed your interests into a book I do not fully control.”

A pause.

“Be careful what you seek, Kvothe.”

He left.

I sat alone in the empty room, surrounded by empty shelves. The sympathy lamp hummed faintly, a sound you’d never notice in a room with other sounds. I noticed it now.

The Cthaeh had told me Cinder killed my parents. But Lorren’s list told a different story. Scholars who asked dangerous questions and disappeared. Not the Chandrian’s way. Too quiet, too methodical. Someone else was burying things.

What did Lorren know? And what was he trying to protect me from — or protect from me?

I was going to find it.

Three evenings of counting had bought me this much: the gaps were real, the gaps had a shape, and someone kept watch at the edges of the shape. It had cost me this much: I had told the watchers, in my own hand, over my own signature, exactly where I meant to dig. I did not yet know what that would cost. Prices like that one arrive later, with interest.

I stood and walked to the door. My hands were steady. My mind was not.

Devi. She knew things about the Archives that even Lorren didn’t know. And unlike everyone else, she owed no loyalty to any secret.

Just to money. And leverage. And the truth, when it suited her.

It was time I found out what suited her these days.

This is unofficial fan fiction, not affiliated with Patrick Rothfuss or DAW Books. The Kingkiller Chronicle and all related characters are the property of their respective owners.